Saturday, October 25, 2014

Library Visit: Chester Public Library (CT)


I first drove past the Chester Public Library a couple years ago when we were visiting CT from IL,
looking at houses. Since we've moved to the area I've driven past it several more times, but always when it was closed or when we were on a mission. Earlier this week I dropped my dog off at the vet for a teeth cleaning a town or two over and decided to drive on to Chester and visit the library since I knew it was open.

Chester Public Library
21 W. Main Street
Chester, CT 06412
website

There has been some form of a library in Chester since 1789. The Chester Library Association was created in 1875. In 1906 S. Mills Ely proposed building a memorial library to honor his parents. The town accepted his offer and the current library opened on August 6, 1907.

The current building's days as a library may be numbered as the Town of Chester has applied for a $1 million CT State Library Construction Grant. As you'll see in the pictures below, the library is well organized, but in serious need of more space for books, computers, study space, and even bathrooms.

It was mid-morning when I stopped in and there were several people coming in and out, returning and checking out books. Everyone was smiling and chatting. The place has a great vibe. It was such a pleasure to talk with both Patty and Pam who were on duty. They were not only very welcoming, but obviously proud of their library and it's history, architecture, and mission.


Although this is a memorial library, there are no plaques or names making a statement. I recall reading that Andrew Carnegie didn't want his name on the library buildings he funded, but some towns did add his name or put up a sign.
My favorite view of a classically inspired facade.
I'm in love with these beautiful red front doors. A screen door to let in fresh air on warmer days.
Window detail.
Ghost of the old book drop built into the door.
The new book drop.
Of course I gave my email to hear about upcoming events. They're also have a book sale in January.
The foyer. New fiction and new nonfiction bookcases flank the entryway.
This is what you see when you walk in. Such warmth!
To the right is the adult nonfiction section. There's work table in there at which someone was working. Notice the floor tile.
To the left is the children's section. Cheery with bright light from the large windows. Notice how high the ceilings are.
Straight ahead when you walk in, behind the circulation desk, is this beautiful fireplace.
The painting above the fireplace is by a local artist (whose name I failed to write down). The colors are vibrant and made me wish I had a better camera with me so you could see.
Small windows let in light where it's needed. Notice this small window matches the larger front and side windows.
Workspace detail. More colorful local art atop the bookcase.
The teeny-tiny original bathroom is back behind the circulation desk. In case you're wondering it is a one seater, which has to be a challenge on busy days when folks are hanging out reading/studying.
The stairway down to the YA and mystery sections (among other sections).
Some Chester Library history.
Small rectangular window lights up the staircase and opens to catch a cross breeze.
Downstairs. There are more sections behind the wall of shelves to the left/front.
I'd put that bumper sticker on my car!
The mystery section.
Work tables. Fiction in the background.
Cather on the shelf!
I know computer systems are much more user friendly, but I still get a warm feeling in my heart when I see a card catalog.
You want to open it, don't you?
I had to look inside for old time's sake.
Bulletin board and staircase leading back upstairs.
Why, yes, I am missing Downton Abbey! (Season 5 premiers 1/4/15)
Access to the stairwell is through the children's section.
October is Connecticut Archives Month.
Front window detail.
Looks like original gutters to me.
Peeking into the lower level. Again, notice how even this little square window in the back of the building, a window most people won't see from the outside or notice on the inside, matches the grandeur of the larger windows on the front and side of the building. It's rare to find such attention to detail and/or expenditure made for a window not in public view (now or back in 1907).
Back door. As on the other side the rectangle windows are unadorned, but look like they open.
Benches for outside reading or, I suspect, a smoke break.
Contrast.
Strong corner. From here it looks like this building can stand for another hundred years.
The view from the library steps.
View of the library from across the street.
I didn't ask what will happen to this building after the new library is built. It may be too early for anyone to know, but let's hope it is re-purposed and enjoys an active second life.

Friday, October 17, 2014

Gutenberg's Apprentice by Alix Christie


When TLC Book Tours asked if I'd be interested in reading Gutenberg's Apprentice I was in the midst of planning a road trip in Germany. The book arrived a few days before I left on my trip, so I took it along. It was a fabulous experience to read this novel, set in 15th century Germany, at night in bed after spending the day driving through Germany and strolling around medieval cities. The sense of time and place Alix Christie captures in her novel helped me imagine the lives that were lived in charming or innocuous looking medieval buildings in cities like Rothenburg, Bad Mergentheim, and Landshut.

From the publisher:
An enthralling literary debut that evokes one of the most momentous events in history, the birth of printing in medieval Germany—a story of invention, intrigue, and betrayal, rich in atmosphere and historical detail, told through the lives of the three men who made it possible.

Youthful, ambitious Peter Schoeffer is on the verge of professional success as a scribe in Paris when his foster father, wealthy merchant and bookseller Johann Fust, summons him home to corrupt, feud-plagued Mainz to meet “a most amazing man.”

Johann Gutenberg, a driven and caustic inventor, has devised a revolutionary—and to some, blasphemous—method of bookmaking: a machine he calls a printing press. Fust is financing Gutenberg’s workshop and he orders Peter, his adopted son, to become Gutenberg’s apprentice. Resentful at having to abandon a prestigious career as a scribe, Peter begins his education in the “darkest art.”

As his skill grows, so, too, does his admiration for Gutenberg and his dedication to their daring venture: copies of the Holy Bible. But mechanical difficulties and the crushing power of the Catholic Church threaten their work. As outside forces align against them, Peter finds himself torn between two father figures: the generous Fust, who saved him from poverty after his mother died; and the brilliant, mercurial Gutenberg, who inspires Peter to achieve his own mastery.

Caught between the genius and the merchant, the old ways and the new, Peter and the men he admires must work together to prevail against overwhelming obstacles—a battle that will change history . . . and irrevocably transform them.
Gutenberg may have invented the moveable type printing press and Fust may have financed the operation, but it was Peter Schoeffer who was the creative workhorse and foreman who brought the dream of printing the Bible to life. There were others around this time trying to create moveable type printing presses, but their efforts were poor. Wood carved letters and inadequate ink didn't create the crisp and consistent printing on pages that Gutenberg had in mind or the beauty that Peter Schoeffer would gradually come to insist upon. Gutenberg is portrayed as a selfish creative genius, powered more by inspiration and greed than follow-through. Schoeffer is an artist with high standards who has the discipline (or obsession) to see the project through.

Schoeffer
The book opens on September 1485. Schoeffer, now 60, reluctantly tells his story of the grueling four year process of printing the Bible to Abbot Trithemius. The next chapter goes back in time to September 1450 when Peter, 25, is called home from Paris by his father to be apprenticed out to Gutenberg.

Young Schoeffer is a scribe, a lover of "real" books, books that are written and decorated by hand, not soulless creations stamped out on vellum. At first he dismisses the new technology, but his curiosity gets the better of him and he's soon fascinated by the process and the possibilities. Of course what comes to mind when reading this is today's controversy between paper and electronic books.

Alix Christie has written a wonderful piece of historical fiction. I was instantly swept up in the details of the time period, the relationships between various characters, and the political and religious tensions of the day. But I was mainly fascinated by learning how Gutenberg and his team created the various elements of the printing press--from designing letters that looked graceful to finding the right mix of metals to make the letter castings strong enough to keep their form through various printings, to creating the ink. Today we talk about how many trees it takes to make a paper book. It took 170 calves (as in baby cows) to make enough vellum for one Gutenberg Bible. Also of interest is how bookselling worked in fifteenth century Germany. It made me want to learn more about all of the above.

Through all the experimentation and then production of such a large book, the team had to keep their work secret because what they were doing--printing the word of god--could be seen as heresy or the devil's work. Disconnecting letters on the page from the hand and the perfection/duplication of pages was considered by many to be unnatural and therefore evil. It was also an undertaking that threatened the income of the scriptoria whose proceeds kept the cloisters and powerful bishops in money and who may have seized the workshop for their own purposes. Think indulgences and papal bulls. You can feel the Protestant Reformation building in this book. (Martin Luther was born in 1483)

Gutenberg's Apprentice is a must read for those interested in the history of the book and book culture. In an afterword Christie writes a paragraph about the fate of key historic figures in her novel. Peter Schoeffer went on to became the world's first major printer and founded the book event that is today known as the Frankfurt Book Fair.

The Gutenberg Bible on display at Yale's Beinecke Library. Photo taken by me in February 2014.
Of the estimated 180 Gutenberg Bibles printed, 48 still exist and only 21 of those are complete. Christie notes that the last time one was auctioned the buyer paid $5.4 million and that was just for the Old Testament. If you want to see if there's a Gutenberg Bible near you, check out the Gutenberg Bible Census by Clausen Books.

Gutenberg's Apprentice
Alix Christie
HarperCollins, September 2014
Source: review copy from TLC Book Tours

Wednesday, October 15, 2014

Nearly Wordless Wednesday: Naval Regulations, 1802 edition

One thing I love about old books is the deep impression left on the page by each letter of the press. Don't you want to run your fingers over this page and feel the letters? Thankfully, this book is behind glass at the U.S. Naval Academy Museum and won't be ruined by the likes of me and my itchy fingers.
Read about Edward Preble here.

Monday, October 13, 2014

My Thinning Years: Starving the Gay Within by Jon Derek Croteau (Giveaway)


My Thinning Years is a well written and engaging memoir. As a little boy Jon Derek Croteau liked to play dress up and hang out with the girls. He was always a disappointment to his atheletics-obsessed father who berated him for being unmanly. His mother was sympathetic and affectionate, but in the early years of his life didn't do much to run interference between her youngest son and her abusive husband. As a young boy Croteau comes to see that confiding in his mother sometimes exacerbates tensions between his parents. I was reminded at times of Pat Conroy's novels that feature a gentle son who is tormented by a hypermasculine, abusive father.

Croteau shows the painful reality of what its like to grow up gay in a homophobic, abusive home, one ruled by a father with inflexible, stereotypical gender role expectations. As Croteau reaches an age where he can no longer deny his sexuality, he attempts to bring some control to his life by throwing himself into his studies and school activities and begins to practice fat intake restriction that blossoms into full blow anorexia and addiction to fat burning pills and laxatives. He also becomes an exercise bulimic with self-punishing running.

This memoir kept me up reading past my bedtime. It is, of course, a painful story to read, but if you read the back of the book you know Croteau is now in a better place and has written his memoir to help others. Just as he painstakingly shows how it took years for him to reach his bottom, Croteau also shows how he took his tentative first steps towards self acceptance and what a long, hard, and never-ending road the path towards healing is. A mother who finally steps up, supportive siblings, solid friends, Outward Bound, compassionate professors, and a therapist who was a good fit are a few of the key elements that helped save Croteau's life.

Readers interested in LGBTQ childhood & life issues, homophobia, anorexia, bulimia, and dysfunctional family systems will want to check out this memoir.

Enter-to-win a free copy below. If you have trouble using Rafflecopter simply leave a comment saying you'd like to win.

a Rafflecopter giveaway  
My Thinning Years: Starving the Gay Within
Jon Derek Croteau
Hazelden, September 2014
Source: review copy through TLC Book Tours

Wednesday, October 8, 2014

Wordless Wednesday: Cover image on The Old Beauty and Others by Willa Cather

Stamped image on the first edition (1948) cloth cover of The Old Beauty and Others by Willa Cather.

WSC stands for Willa Sibert Cather, but what is the meaning behind the imagery?
Related Posts Plugin for WordPress, Blogger...